On the television series Tatar Ramazan, I worked as an Assistant while also contributing to the scenic artist team. In addition to my assistant duties, I was directly involved in the scenic construction and finishing of a large-scale prison set, which played a central role in the series.
The project required extensive set building, detailed surface work, and a strong sense of atmosphere to convey the weight and realism of the environment. Working across both roles allowed me to gain valuable experience in large-scale set construction and collaborative production workflows.
Eray Bintas 